第三届北京国际建筑双年展将在751厂
区举行，一个之前作为工业区的场所将
变为一个聚焦艺术与设计的公园。本次
展览的主题为绿色建筑与可持续性。
展区的设计旨在重新定义那些之前在
其厂区内被视为消极意义的遗留物。
所选择的主体元素既要展现出其所处
的工业区的灵魂，又不失其所要表达
的当代价值，正如节能，可持续性及
循环利用。
在之前的厂区中卸下来的管子，沿着展 示路径布置。这些管子排布成致密的组 合，形成与主要展示区，参观路线相符 的布局。参观者通过这些管子的指示到 达各个展示区，同时从这些管子上喷绘 获得关于建筑双年展的信息。
那些关于工业区的记忆由此保存下来；
在之前的厂区中卸下来的管子，沿着展 示路径布置。这些管子排布成致密的组 合，形成与主要展示区，参观路线相符 的布局。参观者通过这些管子的指示到 达各个展示区，同时从这些管子上喷绘 获得关于建筑双年展的信息。
那些关于工业区的记忆由此保存下来；
The Third Architecture
Beijing Biennial visual
identity reinterprets
the negative legacy of
site 751, choosing a key
element that will respect
the industrial soul of the
area, yet introducing contemporary
values such
as ecology, sustainability
and recycling.
The dismantled pipes
of the former industrial
site are placed along the
exhibition path, grouped
densely in correspondence
to the principal
exhibition areas and
stretched along the main
avenue. The visitors are
废弃厂区成为其自身的比照，并表达出
可持续性和生态性。
钢和管子构成的大都市景观成为文化交
流的传媒。夜晚，从金属外壳散发出的
光线把人们带入锈蚀的室内空间，沿着
路径指引人群。
guided around the venue
by the pipes themselves,
also providing information
about the Biennial printed
on them.
The memory of the industrial
past is thus preserved.
Brownfield become
their own antithesis and
communicate messages
of sustainability and
ecology.
A metropolitan landscape
of steel and pipes becomes
a vehicle of communication
and culture.
At night, lights from inside
the metallic shells give
life to the rusty interiors
and guide the visitors
along the path.
